她往何處去？──中國70後小說中的城鄉流動與女性命運

Where is She Going? Urban-Rural Movement and Women’s Destiny in Chinese Post-70s Novels

當前中國的城市化進程持續進行中，完結時間也無法預料，其間所產生的文化滯差，論者早已提出種種觀察，而成長於此結構變遷承轉時期的一代，恰恰便是所謂中國70後。較早受到矚目的盛可以（1973-），新世紀初有長、短篇小說多部，刻畫了諸多不同行業的城市邊緣女性。而其他70後作家如魏微（1970-）、付秀瑩（1976-）、石一楓（1979-）等人，亦多有涉及由鄉入城女性生活書寫的作品。隨著市場經濟的興起，以及中國農村空心化傾向，數以千萬計的農民工出現在城市街頭，這一代作家如何展演當代版的「上城記」？本文試圖聯繫五四以來現代小說中的進城女性，探究城鄉流動問題在70後筆下的描寫與前代有何差異性？其承衍、發揚與差異之處何在？

At present, the process of urbanization in China is ongoing, and it is unpredictable, the cultural lag that generated during the process has long been observed by the commentators, and the generation that grew up in this transitional period of structural change is precisely the so-called post-70s Chinese. Among them, Sheng Keyi (1973-) who received early attention, has a number of long and short stories portraying urban marginal women of different professions. Other writers born in the 1970s, such as Wei Wei (1970-), Fu Xiu Ying (1976-), Shi Yi Feng (1979-), also have works about women from the country to the city. With the rise of the market economy and the hollowing of country in China, millions of migrant workers appeared on the city’s streets. How do the writers of the generation display the contemporary version of“Uptown”? This article attempts to explore the differences between the description of urban and rural mobility in the post-70s generation and the previous generation in relation to women who have come to cities in modern novels since the May Fourth Movement, in order to show its inheritance, development and differences.