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篇名
新朝的瑞應──以明太祖瑞麥、嘉禾、甘露之詔諭詩文為中心
並列篇名
Auspiciousness for the New Dynasty─Focusing on the Images of Rui Mai, Jia He and Nectar in Ming Tai Zu’s Edict Poetry
作者 連文萍
中文摘要
瑞應,又稱祥瑞,乃吉祥的徵兆。明太祖立國前後迭見瑞應,呈顯政權稟承天授,冀得人心順服。另方面則曉諭臣民,傳達不輕信、不居功的態度,尤注意災、祥一體兩面,深有戒慎自省。其瑞應詩文以詠嘆瑞麥、嘉禾最多,顯示以足食為先的治國理念,關心農事民生及邊境屯政,以求國祚永保。又記錄採集甘露、賜飲,營造君臣和諧、盛世太平的氛圍。其瑞應觀點影響深遠,後世君臣各取所需的加以詮解,曾被用為明成祖獲取皇權的認證,也被視為勤民、謙德、禁諂諛、弭災異的典範,期請君王敬天法祖,皆已成為明代宮廷政治文化的鮮明印記。
英文摘要
The so-called“auspiciousness”includes special natural scenes, such as five-colored clouds, clear rivers, and nectar, as well as rare animals and plants. Throughout the rise of Ming Tai Zu, he used the traditional cultural significance of auspiciousness to emphasize his authority was given by nature and hoped that the people would obey. He praised auspiciousness in poetry and prose, with Rui Mai and Jia He singing the most. These descriptions show that he will ensure the food supply is adequate in the governance and he care about the sufferings of people's livelihood. Furthermore, he recorded the auspicious nectar, to create a harmonious and peaceful scene. His auspicious view had a profound influence. The later emperors and ministers took what they needed to interpret and applied it and regarded it as an example of diligent people. Hence, the auspicious writing became a distinct mark of Ming Dynasty court culture.
起訖頁 39-79
關鍵詞 明太祖祥瑞瑞麥嘉禾甘露Ming Tai ZuAuspiciousnessRui MaiJia HeNectar
刊名 成大中文學報  
期數 202309 (82期)
出版單位 國立成功大學中國文學系
該期刊-上一篇 游移在佛、道、巫間的「法師」──以洪邁《夷堅志》為主的考察
該期刊-下一篇 浦起龍《古文眉詮》評選《左傳》析論
 

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