宋版《文章正宗》重考

Re-examining: Wen Zhang Zheng Zong of Song Edition

《文章正宗》作為一部選集，是南宋重要的文體學、文章學、評點學文獻之一，也是鮮有的，多種宋本或覆宋本共同流傳至今的重要版本學文獻。因此已經湧現了不少的文獻學相關研究，重點也集中在宋代版本之上，但目前研究多存在一定的局限，各圖書館對於自己的藏版鑒定也有待商榷。
本文從散見於八處館藏的九種，疑為宋版的現存《文章正宗》書目中，梳理出兩套系統。所論版本限於諸家圖書館、博物館認定為宋版，及筆者所見具備宋版特徵者。以梳理出一個較信實的善本為訴求，對宋版《文章正宗》兩個系統重新考訂，並梳理各自系統內跨時代的覆刻、翻刻等現象。最後進行初步校勘，對兩個系統中各存見本交互對校，嘗試說明各自優劣及文獻適用場景。

“Wen Zhang Zheng Zong”（文章正宗）, an anthology, is one of the important literature on stylistics, article study, and textual criticism in the Southern Song Dynasty. It is a central but rare literature of bibliography that has been passed down to this day through various editions of Song Dynasty (Song editions) or re-carving-based Song editions. Due to its significance, there have been some studies related to this literature with focus on Song edition. However, the existing studies are limited as some problems are identified in the libraries’authentications of collections. This research uses nine books of Wen Zhang Zheng Zong as material that are likely to be Song edition, and categorizes them into two systems. Those nine works are considered to carry the characteristics of Song edition according to their libraries, museums and this study. To explore the rare book among them, this research re-examines the two systems and analyses re-carving and reprinting across different eras in both systems. By carrying out preliminary proofreading and cross-checking of the books between the systems, this study attempts to analyse the pros and cons of the books and scenarios they can apply to.