園藝、名物與圖譜：論《蔬果爭奇》在江戶時期的接受與出版

Horticulture, Semantics and Images On the Acceptance and Publication of ShuGuo ZhengQi in the Edo Period

《蔬果爭奇》為明天啟四年（1624）建陽萃慶堂刊刻出版，全書三卷，卷上收錄蔬果爭勝小說，卷中、卷下為歷代文人之蔬果詩文。從編輯手法來看，書中涵蓋多種蔬果品類、特徵與掌故，將歷代蔬果詩文分卷羅列於後，具備資料匯編與旁搜博采特色。《蔬果爭奇》於江戶時期東傳，書中豐富的蔬果品類、詩文與園林知識，滿足日人對知識體系與珍奇事物的探求。日本今存《蔬果爭奇》明刻本與和刻本，文政十二年（1829）京都林喜兵衛版和刻本流播最廣，乃受幕府「享保改革」與幕末園藝風潮影響。幕末文人貫名海屋指出《蔬果爭奇》有「錯綜名物典故」、「藝園簡易之方」特色，便是從名物學、園藝角度肯定其價值，不僅說明本書在江戶時期的閱讀接受與傳播現象，也呼應了幕末社會氛圍與學術思潮。

The Literature of ShuGuo ZhengQi is the work of Deng Zhimo, a literati in the late -Ming Dynasty. It was published by Cuiqing-tang in Fu-jian during the Tian-Qi period (1624). The book is divided into three volumes. The plot of the novel; the middle volume and the second volume contain vegetable and fruit poems written by Chinese literati in the past dynasties.”From the perspective of editing techniques, the book covers a variety of vegetable and fruit varieties and allusions, and divides vegetable and fruit poems into volumes, which has the characteristics of data collection and extensiveness. ShuGuo ZhengQi was spread eastward during the Edo period. The book contains a wealth of vegetable and fruit categories, literary works, and garden knowledge, satisfying the Japanese people’s search for knowledge systems and precious things. In 1829 (1829), the Japanese block edition published in Kyoto was the most widely circulated, which was influenced by the“Kyobo Reform”and the gardening trend.Nukina Kaioku pointed out that this book has the characteristics of“explaining the allusions of the Names of Things”and“Gardening Methods”. The phenomenon of reception and dissemination also echoed the social atmosphere and academic trends of the time.