道成文字：香港文學雜誌《字花》2006-）的現實生成模式

Incarnation of the Real: Approaching the Production of the Hong Kong Literary Magazine Fleurs des Lettres (2006- )

「呈現事實」之崇高帶著需要歷史考究來澄清的矛盾性質：既強如一件道德武器（像中國左派作家在1910年代末至1940年代末催生中共政權並使之合法化的筆法），但又脆弱如一股易被次流化和制裁的意識形態。
在「後資本主義」的香港，國家安全法已於2020年5月22日通過，以防範、制止和懲治與巔覆國家、分裂國家、勾結外國勢力與恐怖活動相關之罪行，這使「文學記存真實」在香港面臨疊加的壓力。本論文按此深究香港當代文學雜誌代表《字花》（2006-）如何以抵抗形式不斷生成，結構上，先追溯香港文學雜誌的精神來源，然後展示《字花》的回應式組成如何順著現實主義傳統，發展成「在地」進路。作為學者與編輯，這論文的作者將以主觀觀察，融薈對第1期與第81期的歷史與話語分析。

The sublimity of factual representation requires historical investigation upon its contradictive nature: powerful as a morally recognized weapon (as Chinese leftist writers adopted to actualize and validate the Communist regime from the late 1910s to the late 1940s) but fragile as an easily side-streamed and censored ideology. While literarily recording the real in“late-capitalist”Hong Kong is encountering imbricated pressure from a tailor-made national security law (approved at the National People’s Congress on 22 May, 2020 to prevent, stop and punish acts in Hong Kong related to subversion, secession, terrorism and foreign interference), this paper sets out to study the resistive formation of a representative contemporary Hong Kong literary magazine called Fleurs des Lettres (Ji Fa字花; 2006- ). Starting from a derivation of the spiritual source of Hong Kong literary magazines, it suggests that the responsive composition of Fleurs des Lettres follows a realist tradition and contextually practices a localized version. As a scholar and an editor, the writer of this paper will invigorate his historical and discursive analyses of its Issue 1 and Issue 81 with subjective observations.