在「冒犯」中自我療癒：以脫口秀為表徵的當代青年治癒敘事

Healing through“Offensive”Laughter: Youth Healing Narratives and Affective Politics in Stand-Up Comedy of Contemporary China

近年來，中國綜藝喜劇節目《脫口秀大會》風靡一時，它的火紅使得脫口秀這種喜劇形式受到年輕人的追捧和喜愛。作為一檔販售「冒犯」笑聲的節目，揶揄生活痛感是《脫口秀大會》引發笑聲的關鍵，也表徵出當代年輕人情感結構。對「痛點」發笑、在自我扎心的笑聲中自我療癒，這不僅是通過觀看節目獲得的愉悅感受，更是年輕人應對糟心狀況、擺脫日常不滿的下意識方式。對生活痛感的「冒犯」有助於年輕人宣洩負面情緒，然而糟心、不合理的現實所造成的痛感並非可以輕易地被療癒。以「痛點之笑」自我療癒的辦法實際上處在年輕人對自身生存處境的洞察與意識形態對現代主體規訓的接合處，彌合於被笑聲所召喚的情感激盪之中。情感的表露顯示出年輕人對生存處境的體認，也體現了新自由主義下社會結構對個人「心理結構」的形塑，更展現出年輕一代努力卻動彈不得的「活著的感覺」。

In recent years, Rock & Roast, a TV show of stand-up comedy, has become increasingly popular among young people in China. The “offensive” laughter in the show is the key to its engaging audiences. At the same time, it also points to the structures of feeling of young people. Mocking pain is not only a pleasant feeling enjoyed by the audiences; it is also an important way that young people deal with the reality of pain and the negative emotions it engenders. However, this real pain cannot be easily healed. In fact, the emotional resonance evoked by laughter is why young people succumb to bad reality and laugh bitterly. Healing pain through “offensive” laugher shows the work of the affective politics. It reveals how the young people perceive their situation through emotions and how their psychological structure is shaped by ideology through the management of emotions. This complexity is conditioned by a pervasive melancholia which is inseparable from the lack of hope for any change in a future dominated by neo-liberal capitalism.