快慢與虛實之間──新寶島康樂隊歌詞中溝通媒介的敘述認同

Between speed and reality: The Communication Mediums’Narrative Identity of the Lyrics of New Formosa Band

本文以新寶島康樂隊的歌詞為分析對象，探討新寶島康樂隊歌曲中對不同「溝通媒介」的觀點與偏好，在創作中反映了他們身處在不同時代、接觸到不同溝通媒介時的情感結構差異，進而歸納出新寶島康樂隊懷念類比時代與反省數位時代媒介的「敘述認同」。以大時代背景而言，本文拉出三條軸線：從類比到數位時代，數位時代中的類比回溫，回歸第三場所與慢活。媒介變遷的過程，反映在新寶島康樂隊的歌曲中，顯示了兩種由「虛」到「實」、由「快」到「慢」的敘述認同。如果將新寶島康樂隊的歌曲作品視為一種「文化文本」，他們在將近三十年的歌曲創作中，不乏許多對溝通媒介的敘述與態度，從中可摸索一條以歌曲創制的媒介選擇之路。不論作者有意或無意，這些歌曲都反映了他們在不同時代面對不同溝通媒介時，情感結構的差異性。

This article takes the lyrics of New Formosa Band as the analysis object, and explores the opinions and preferences of different “communication mediums” in the songs of New Formosa Band, and reflects their structure of feeling when they are in different times. This article summed up the “narrative identity” of New Formosa Band's nostalgia for analogy and reflection on digital media.In the context of the great era, this article draws out three axes: from analogy to the digital age, the analogy in the digital age is warmed up, and it returns to the third place and down shifting. The process of media change is reflected in the songs of New Formosa Band, showing a narrative identity from “virtual” to “real” and from “fast” to “slow”. If the song works of New Formosa Band are regarded as a kind of “cultural text”, they have many narrations and attitudes towards communication medium in their nearly 30 years of song creation, from which they can explore a way to choose a medium created by songs. Whether the authors intentionally or not, these songs reflect the differences in the structure of feeling of their different communication mediums in different eras.