從「台灣月並句」到「台灣俳句」的轉變－－「尤加利」社與大正後期的台灣俳壇－－

Conversion from “Taiwanese Tsukinami-Haiku” to “Taiwan Haiku”: YUKARI Haiku Circle and the Haiku World of Taiwan in the late Taisho Era

大正10（1921）年10月，俳句雜誌《尤加利》創刊於台灣台北。本論文將初期的尤加利俳句會，界定為《尤加利》創刊年的1921（大正10）年至大正末的1926（大正15）年之間。此時期，尤加利俳句會的關注重點在於推廣「台灣俳句」，其中包括明治時期的重要議題“台灣色”；以及此延長線上的「拒絕月並句（常套俳句）」「地方歲時記的編纂」「在地風格的呈現」「對季題‧素材的開發與研究」等問題點。本論文聚焦在大正後期的台灣俳壇，在追溯當時文獻的同時，並對以下內容進行了檢證。首先，台灣俳句詩人為了在俳句中帶入台灣本土色彩而做了許多嘗試，弘揚新派俳句並摒棄舊派的月並句（常套俳句）。但同時在此過程中也出現了許多新的「台灣常套句」，而大正後期的尤加利社俳人們試圖打破此一陋習，同時以創造真正的「台灣俳句」為目標而努力不懈，而本論文即透過文獻的探索與分析釐清了上述的問題點。

YUKARI, haiku magazine, was revealed in Taipei , Taiwan, in October, 1921. I n this essay, the ear ly time o f YUKARI Haiku Ci rcle is defined as the period from 1921 to 1926. At this time, the concern of the YUKARI Haiku Ci rcle aimed at promoting “Taiwan Haiku” in which the concept of “Taiwanese color” was an important issue in the Mei j i period. In addi t ion , the issues such as the “rejection of Tsukinami -Haiku”, “the compil at ion of local Saijiki ” , “the presentation of local style”, and “the development and the research of the seasonal themes and materials” were taken up as extensions of which mentioned above. The essay focuses o n the Taiwanese haiku worl d in the late Taisho era. With tracing the literature o f the time, the reviews on the followings are submi tted. Taiwanese haiku poets tr ied to promote the New School Haiku and decline using Tsukinami Haiku. In addition, they attempted to b r ing out Taiwan local style, and the efforts of Taiwanese Haiku poets in the l ate Taisho era paid off to introduce the authentic Taiwan Haiku by keeping breaking through Taiwanese Tsukinami -Haiku abundantly.