寰宇之旅：吳濁流《談西說東》的跨文化論述

Around the World Travelogue: The Cross-Cultural Discourse in Wu Zhuo-liu’s Speaking of Voyages

吳濁流一生創作不綴，喜好至世界各地旅遊，其觀光記憶與空間秩序形成知識體系。1968年退休後曾參加環遊之旅，隔年集結成《談西說東》。此戒嚴時期出版的旅外遊記，藉由回溯世界各族群遭受主流文化侵襲與壓迫支配的情境，詮釋人權價值。遊記中的地景銘刻過往的歷史事件，蘊含豐盈的文化意象。不僅呈現個人觀光經驗與歷史文化變遷的互動，更隱含吳濁流對自我身分認同的思考。本文結合空間資訊的技術，分析世界旅遊的行程與記憶，繪製《談西說東》旅遊主要路徑圖。又應用敘事理論分析，探討吳濁流如何藉由文本互涉的敘事策略、差異與批判，從文本中投射自我處境。在戒嚴的臺灣文學場域裡，檢視在特定意識形態體制下的文學生產，詮釋旅外遊記的文化傳播意義。

Wu Zhuo-liu had dedicated his life to writing and traveling. He contributed his travel memories and the spatial sequence to form a specific knowledge system in his writings. After retiring in 1968, he went on a world tour and published his essay Speaking of Voyages the following year. During the martial law period, the travelogue annotates the value of human rights by tracing back to a time when various ethnic groups worldwide were attacked and oppressed by mainstream culture. The travelogue’s scenery is rich in cultural imagery and reflects past historical events. It demonstrates the interaction of personal travel experiences with historical and cultural changes and Wu’s thoughts on self-identity. This study analyzed the itinerary and memory of the grand world tour, the leading travel routes in Speaking of Voyages, using technology that combined space information. It also employs narrative theory to examine how Wu portrayed his situation in the text via the narrative strategy of intertextuality and tourism experiences. The study investigates Taiwanese literary production during martial law and interprets the cultural communication significance of overseas travelogues.