英文摘要 |
Chinese calligraphy were written mostly with brushes. It is unique and beautiful and originated from hieroglyphics that derived from observing nature. As time went on, whether on stone carvings or bronze castings alike, It descended from 'Oracle bones', 'Xiao Zhuan', 'Zhou Wen' and others which demonstrated the depth of Chinese culture and aesthetics in calligraphy. First chapter discussed the visual beauty of calligraphy. The study of aesthetics in classical Chinese writings was established by Confucius. It came from "Rendao benevolence "with an emphasis on imitating nature. Zhuangzi said 'Universe encompasses the unspoken beauty' and being part of nature is the epitome of Chinese calligraphy. The second chapter is calligraphy of Ching Dynasty which descended from Yuen and Song, charming and interesting, full of tribal colorations. It incorporated western influences, but exhibited its own unique styles. The third chapter is on Sichuan Monument Script and Pao Bichen. He created his style regardless of the push backs from old traditions. Born in Nanxi, Sichuan which is a beautiful and desired gathering place for scholars. Pao Tehming, his great granddaughter, was the founder of Ming Chuan University. In order to fulfill the teaching of aesthetics and multifaceted curriculum of creativity, as an associated professor there with a focus on Chinese art theory, art identification and ancient art imitations, I have incorporated my own calligraphy creations to boost the literacy of the students. |