英文摘要 |
In this study, the author first uses three central aspects, object, time, and material, to establish a basic structure with which to examine the relevant descriptions of clocks found within ancient Chinese vernacular fiction. Furthermore, a material writing perspective is employed to explore how late Qing dynasty novelists depict timepieces, portrayals which differ from their ancient counterparts, as well as formulating a new perception of time, all of which became a characteristic of narration that integrated character psychology. The author then discusses the relationship between clock time and the artistic expressions within the novels—including the refinement of their settings and the actions of their characters—the interpretation and transformation of a demonic imagination, and how the writings sculpt a “better future.” Finally, behind the reproduction of both timepieces and time, a discussion of value exists concerning the two subjects, one which breaks away from traditional thinking as well as reflecting the profound meanings of the individual, the nation, and the livelihoods and economy of the people. |