英文摘要 |
"In 1964, on the eve of the Cultural Revolution, Liu Shaoqi, Peng Zhen, Lu Dingyi, Zhou Yang, and Jiang Qing gave speeches on Chinese opera reform during different occasions. The views of Liu and his comrades were often in sharp contrast to those of Jiang. It is interesting that all these speeches were actually in response to Mao Zedong's 'Criticism on literary and artistic work' written at the end of 1963. Analyzing the speeches, it is not hard to find that both sides had completely different expectations on the direction of opera reform, which reflected their different political views. Jiang Qing was eager to deny not only the literary and artistic thoughts, but also the achievements of socialist construction since the founding of the People's Republic of China. Jiang Qing believes that literature and art could change the ideology and worldview of the people, destroy the economic foundation of socialism and eventually destroy the socialist system. For her, the so-called literature and art issue was indeed very political. In contrast, Liu Shaoqi and his comrades tried hard to affirm the achievements in literature and art and the achievements of socialist construction since 1949. They strived to limit the criticism to the realm of the opera reform. The debate draws our attention to an interesting phenomenon that appeared since the early 1950s: people with different or even contradicting views competed with each other on the correct interpretation of Mao Zedong's words. In fact, these people appropriated Mao's views to support their own political ideas. Although there were various interpretations of Mao's words, and new interpretations were constantly emerging, people with various opinions all claimed that they were loyal to Mao." |