英文摘要 |
"以吾峠呼世晴的漫畫《鬼滅之刃》為原作的動畫電影《鬼滅之刃劇場版無限列車篇》在日本於2020年10月16日上映,並於公開後第73天收入達324億日圓,更新了由宮崎駿導演於2001年推出的《神隱少女》所締造的票房紀錄。至2021年5月,其日本國內收益超過400億,成為日本影史以來最賣座的電影。本論以《鬼滅之刃》劇場版的內容為探討對象,從文學研究的角度對「無限列車篇」做文本分析,而援用的理論主要則為由榮格創始的分析心理學中關於“夢”“無意識”“原型”“自我”等構成榮格派心理學說的一些論述為主要依據,並考察作品內涵的訊息性及多重的意義構造。而劇場版動畫大受歡迎可能是多種因素共同作用的結果,但同時也是因為本作品的主題與訊息使閱聽人重新意識到普世價值的重要,超越了年齡與性別,觸動了許多人的內心。而經分析後,得知作品中描寫了許多對照性的比較,例如鬼與人、黑夜與黎明、死與再生等多重對比。此外,本論文也闡述了「無限列車篇」中對「強」「不滅」真正意義的解釋。 Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train is the movie version of the anime that was screened in Japan on October 16, 2020, the original story by Koyoharu GOTOUGE. 73 days after its release, it surpassed the sales record of Hayao Miyazaki’s 2001 film Spirited Away, with a total revenue of over 400 billion yen, it has become the best-selling movie in the history of Japanese cinema.This paper investigates the contents of Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train with the approach of some concepts such as 'dream', 'unconscious', 'archetype', and 'self' in Analytical Psychology that are the core of the theory founded by Carl Gustav Jung. The movie hit may be the result of a combination of various factors, and this is also because the theme and many messages of this work remind us of universal values and touch the hearts of many viewers, regardless of age. The survey reveals many contrasts between demons/oni and humans, nights and dawns, death and rebirth in the film. Moreover, it indicates the true meaning of strength and immortality through the film." |