從《詩經》相關篇章論周之歌、舞、樂的結合

"On the Combination of Song, Dance and Music in Zhou Dynasty from Related Chapters in The Book of Songs"

在中國古代戲曲形成的過程中，歌、舞、樂的結合是為首要因素，而《詩經》作為中國古代第一部詩歌總集，除了擁有極高的文學價值外，亦存在豐富的史料價值，可於詩篇中尋得不同場合中「歌、舞、樂」的不同配合與呈現。故本文以傳世《詩經》的相關篇章為範疇，並配合以出土清華簡之部分詩類文獻內容，結合史書、禮書的記載，分析討論以下三個議題：一、論《詩經》中所見周代宴飲場合的「歌、舞、樂」，著重在「鄉飲酒禮」與「饗禮」。二、《詩經》所見周代宗廟祭祀場合的「歌、舞、樂」，先論先秦「萬舞」節目，再論祭祀時「尸」之設置。三、由清華簡部分詩類文獻論歌、舞、樂的呈現，主要討論〈周公之琴舞〉與〈耆夜〉。

"In the process of forming Chinese ancient opera, the combination of song, dance, and music was the primary factor. As the first poetry collection in ancient China, ''The Book of Songs'' possesses excellent literary value and contains a wealth of historical connotations. There presents different coordination and presentation of ''song, dance, music'' with different occasions in the poems. Therefore, based on the relevant chapters of the ''Book of Songs'', this thesis will combine the contents of some poems from the Tsinghua University Manuscript with the records of historical books and ritual books to analyze and discuss. The first chapter discusses the ''sing, dance, music'' of the Zhou Dynasty banquet in the ''Book of Songs'', which focuses on the ''rural drinking ceremony'' and ''dining rituals''. The second chapter analyzes the ''song, dance, music'' in the Zhou Dynasty's ancestral temple sacrificial occasions from the ''Book of Songs'', discuss the pre-Qin ''Wan dance'' program by first and then discuss the setting of ''Shi'' while offering sacrifices. The third chapter mainly discusses the contents of ''Zhougong zhi Qinwu'' and ''Qi Ye'' from the presentation of ''song, dance, music'' in some poetic documents of Tsinghua Bamboo Slips."