英文摘要 |
"This paper examines the splicing of literary historical materials and their presentation in Huang Ya-li’s documentary film Le Moulin. I argue that its special sound-image assemblage produces a unique narrative of a literary history. This particular literary narrative should thus be recognized as a“minor historiography,”not only because of Huang’s focus on a minor literary group named“Le Moulin”but also because of the film’s tendency to compose a minor literary history that deviates from the majoritarian version. The paper further considers the film’s cinematic presentation as an example of“free indirect discourse,”embodied by fragmented images, the irreducible interstices between them, and the prominent montage sequences hence produced. This paper argues that Le Moulin presents a new aesthetic paradigm of literary documentary that calls for possible descriptions of writers and literary historiographers to come." |