初心、尋索與記憶：論楊牧《奇萊後書》的主題表現與詩學理論

First Heart, Searching and Memory: On the Theme Expression and Poetic Theory of Yang Mu‘s''A Book of Chi-lai''

楊牧的自傳體散文《奇萊後書》延續《奇萊前書》與《一首詩的完成》，分別著重於記憶的書寫與對詩的學理之創作實踐，是楊牧最後一本「長長的散文」，有其研究意義與再挖掘的可能性。本文從「主題學」的方式再探《奇萊後書》四個重要的命題，包括旅行、回望臺灣、文人交遊，以及詩學理論。本文將指出，《奇萊後書》呈顯了楊牧多元且豐碩的人生經驗，以及對於文學、翻譯、知識、詩的辯證之好奇與追索，這是一條蜿蜒曲折的道路，但卻在其中盡情的游離、反悟、找尋、反抗，也從中發現楊牧對人、事、物、情感的重要感受與託付，而在這本書中，可以見到一個創作者宏大的企圖，以及心之所向。

Yang Mu‘s self-propagating prose ''A Book of Chi-lai'' and ''the completion of a poem'', focusing on the writing of memory and the theory and practice of poetry, which is the last ''long prose'' that has its research significance and the possibility of re-excavation. This paper explores the four important topics of the book from the way of ''topic study'', including traveling, looking back, literati traveling and poetic theory. This article will point out that the book shows the diverse and profound life experience of animal husbandry, as well as the curiosity and pursuit of literary, translation, knowledge and poetic evidence. This is a winding road, but in it, it is full of feelings of wandering, counter-understanding, searching, resisting, and discovering the important feelings and contributions of animal husbandry to people, things, things and emotions.