身心合一表演方法於意象劇場運用之初探

Exploratory Research on Psychophysical Acting in Utilizing Image Theatre

論文以一個表演實務案例為基礎，探討表演者如何運用身心合一方法演技詮釋卡謬《誤會》馬妲一角於意象劇場表演形式之中。論文一共分為四章節：第一章節為研究動機，將概括性地講述何謂表演功課。第二章節包含卡謬《誤會》歷史背景、身心合一方法演技－菲利普．薩睿立的表演訓練及意象劇場的文獻回顧。第三章節論述杯具社詮釋經典作品卡繆《誤會》與菲利普．薩睿立的身心合一方法於馬妲一角之運用。最後一個章節結論出身心合一表演方法提供表演者不同於史坦尼斯拉夫斯基表演法的角色詮釋與重新詮釋經典戲劇一種新嘗試。

This essay is based on a practical performance which is exploring the performer how to utilize psychophysical acting in the role Martha of Albert Camus's The misunderstanding in image theatre. There are four parts in this essay. Chapter one researches motivation that explains what the actor work is. Chapter two presents the background of Albert Camus's The misunderstanding, the skills of Phillip Zarrilli's psychophysical acting and the introduction of image theatre. In chapter three, I will examine the process how to utilize Phillip Zarrilli's psychophysical acting in the role of Martha in the performance-Bei Jiu She Contemporary represents Albert Camus's The misunderstanding. In the conclusion, I will discuss a new possibility of acting skills-Phillip Zarrilli's psychophysical acting different from Stanislavski's method acting for a performer to play a role.