從戒嚴到解嚴：探索王幼華小說《騷動的島》的身體變異

From the Martial Law to the Lifting Law Period: Exploring the Mutation of the Body in Wang Yu-hua's Novel The Island of Disturbance

綜觀王幼華的小說中，身體表述是最重要的主題之一。他把心理書寫，結合身體感受，表現臺灣從戒嚴到解嚴期間，社會的荒謬處境。小說描述政治從威權獨大統治到慢慢塌陷，多元政黨的存在及民主的聲浪，都讓黨政軍特的威權變得有心無力，直接造成身體經驗的不同反應；資本主義的入侵與商業主義的盤算，造成情色行業的壯大，都讓身體染上情慾的色彩；宗教信仰與經濟獲利之間，也產生了更緊密的連結，讓身體呈現更濃厚的世俗傾向。這些巨大的變動，都折射在身體觀的變異上。本文將借重米歇爾‧傅柯與約翰‧奧尼爾的身體理論，探索在政治、時空與環境交互影響下，對人產生的影響，在身體上折射出複雜的面貌，思索政治性的身體、慾望性的身體及宗教性的身體的意義，更完整地討論身體敘事的重要性。

Body expression is one of the most critical themes in Wang Yu-hua's novels which combines psychological writing with physical symbols to present the absurd social situation in Taiwan. Physical experience and experience of time and space are the most important themes of The Island of Disturbance, and it describes the evolution of politics from authoritarian rule to gradual collapse. The existence of multiple political parties and the voice of democracy makes the authoritarian power of the party, government and army become powerless, which directly results in different reactions of physical experience. The invasion of capitalism and the calculation of commercialism, resulting in the growth of the erotic industry, the body infected with the color of lust. There is also a closer connection between religious belief and economic gains, making the body more secular. These tremendous changes were reflecting in the variation of the body view. Based on Michel Foucault and John O'Neill's body theory, this paper discusses the in-depth observation on the political body, sexual body, and the religious body and intends to probe into the question of the body narrative more thoroughly.