台灣工業遺址再利用保存之空間重置的可能提案

The Possibility of Space Replacement Concerning Reuse and Preservation of Industrial Heritage in Taiwan

本文旨在探討台灣工業遺址面對再利用保存的需求時，其空間設計規劃上的一種可能性提案。台灣工業遺址生成的特殊性，由於某種程度是建立在對於現代性(modemity)與工業技術理性質疑的歷史社會脈絡下，使得它非為一種自然化的產物，而是關乎一種空間的生產。從空間生產的分析角度而言，工業遺址的浮現意味的是一種從空間事物之生產到空間本身之生產的轉向，是一處因歷史社會變遷之特殊性，並由多元文化混合及共存構成的「異質空間」(heterotopias)。是故，其保存的論述實踐需面對的是如何延續現代性(modermty)空間脈絡的一種真實產物，以及同時承載著後現代性(post modemity)歷史空間的意義想像，或其它可能空間性的思考。這使得其再利用保存之設計規劃上或許能夠以「空間重置」(space replacement)的計畫予以考量，即如何以「共時性」(synchronicity)的方法呈現並再現「歷時性」(diachronic)的空間敘事。

This article aims at discussing the possibility of space replacement concerning reuse and preservation of industrial heritage in Taiwan. In part, the becoming of industrial heritage was founded on the historicalsocial context of modernity and technological rationality. Therefore, industrial heritage was not a naturalized product, but concerning the production of space. In the sense, industrial heritage meant a transformation that is from production space to the production of space itself, came from growth of production itself and direct intervention of knowledge in matter production. Confronting industrial heritage--heterotopias--that was constituted by mix and coexistence of multi-cultures, the article thinks the spatiality of industrial heritage concerns how industrial heritage carried spatial modernity, and how continued meaningful image of post- modernity about historical space. It would make the space replacement of industrial heritage concerning preservation be that how to present and represent a diachronic space narrative with a synchronicity method.