俳句中「臺灣趣味」的形成──明治期臺灣俳句之受容及發展

The Formation of the “Taiwanese Mood” in Haiku:The acceptance and development o f Haiku i n Taiwan during the Meiji Era

在論及日本統治時代俳句的受容和發展時，「臺灣趣味」這個文學主張成為一個重要的線索。「臺灣趣味」原本是小松吉久所寫的殖民地文學論中所提及的一個概念，但是自從移住到台灣的俳人提倡「臺灣趣味」應用在俳句上的可能性之後，這成了明治時期臺灣俳句最為重要的創作目標，俳人小林李坪開始在『臺灣日日新報』上連載解說臺灣季題的「水引草」用自作的俳句具體展現「臺灣趣味」的方法論。由於李坪等俳人的努力，臺灣俳句可說呈現出新的變容。本稿在釐清「臺灣趣味」內容的同時也檢討俳人的論述；並且將焦點放在明治時期壹臺灣俳句的內容之變化，來考察俳句被異文化受容之時所產生的變容。

When it comes to the acceptance and development of haiku in Taiwan during the period of Japanese colonial rule, the ”Taiwanese mood” of the literature claim is an important clue to the research ”Taiwanese mood” was one of the concepts in the colony literary theory brought up by Yoshihisa Komatsu. Since the haiku poets who had migrated to Taiwan advocated the possibility of the ”Taiwanese mood ”, the concept became the most import ant goal to compose haiku. Rihei Kobayash, haiku poet, specifically revealed the methodology of ”Taiwanese mood” in his poems published in ”Mizuhikigusa” which was a serial about Taiwan season words in ”Taiwan-Nichinichi-Shimpo” Due to the effort of the haiku poets, such as Rihei, the new development of the Taiwan haiku launched.This research examines the implication of the ”Taiwanese mood” and surveys the opinions of the haiku poets. Besides the review of the transformation beneath the different culture, the change of the content s in Taiwan haiku during the Meiji era is the focus of the research.