漢斯‧馮‧亞琛藝術寓意題材的再現與新發現的繪畫作品《藝術的寓言》

Hans von Aachen’s Allegorical Representations of the Arts, and His Newly Identified Painting Allegory of the Arts

漢斯‧馮‧亞琛身居神聖羅馬帝國皇帝魯道夫二世宮廷代表藝術家，從1580年代後期到1600年初期，馮‧亞琛創作了許多關於視覺藝術題材的作品，尤以涉及繪畫藝術及其與自由藝術間的關聯。本篇論文將揭示漢斯‧馮‧亞琛對當時代藝術理論的深入瞭解，並在10年內創作出一系列相關議題的繪畫與版畫作品，以此來論述他對繪畫藝術的概念與想法。這些作品所呈現的繪畫藝術意涵及其藝術語言，說明義大利藝術家們和人文主義學者群對馮‧亞琛創作及藝術概念的影響，這一理念在近期新發現的繪畫作品《藝術的寓言》中再度得到體現。

Hans von Aachen is among the artists regarded as representative of the court of the Holy Roman Emperor Rudolf II. During the period from the late 1580s to the beginning of 1600, von Aachen created a number of works referring to the visual arts themselves, especially to the art of painting and its relationship to artes liberales. This paper shows that Hans von Aachen occupied himself intensely with art-theoretical discourses and invented within a decennium a series of paintings and engravings with the same themes. The pictorial concepts of these works, as well as the language of art, reveal the influence of Italian artists and humanists, which are shown distinctly in the newly discovered painting Allegory of the arts.