清季福州斗堂之呂祖斗堂之呂祖經典及其思想經典及其思想析論

Lu Dong-bin's Classics and Thoughts used by Fu-Zhou Dou Tang in Late Qing

呂祖（呂洞賓，798？-862？）為近世屢顯度世神蹟的道教仙真之一，從五代以來，除各宗派流傳的道典外，史書、筆記、戲曲亦多有其記載。明清兩代，呂祖更以飛鸞降真方式，著成數量甚夥之經典、懺法、語錄、詩詞、丹訣，其信仰群也將這些重要文獻刊刻成書。其中，先後收入《呂祖全書》的《醒心真經》、《呂祖心經》，皆在晚清被福州斗堂接受，不僅改名為《太上玄元妙道度劫覺世醒心真經》、《霞府興行妙道天尊演說心經》，也成為禪和系統斗堂九部根本道典之一。本文針對清代福州斗堂接受並刊刻的這兩種呂祖道典進行分析，探討這兩本成書於康熙至乾隆時期的呂祖道典之思想基調與工夫論述，得出其遵循宋代以來「在心上作工夫」的踐履進路。

 

Lu Zu(Lu Dong-bin,798?-862?) is a Taoist fairy who has often shown miracles since Song Dynasty. From the Five Dynasties and Ten Kingdoms, Lu Dong-bin not only recorded in the books of various Taoist denominations, but also recorded in history books, note novels and dramas. In Ming and Qing Dynasties, Lu Dong-bin wrote many classics, quotes, poems, and practice methods with fu-luan(扶鸞), and Lu Dong-bin’s followers published these important documents called Lu Zu Quan Shu(《呂祖全書》). Sing Sin Jing(醒心經) and Lu Zu Sin Jing(呂祖心經) of Lu Zu Quan Shu, were recognized by Dou Tang(斗堂) in Fu-Zhou in Late Qing, and became one of the nine fundamental classics of Dou Tang. This article focuses the two kinds of Lu Dong-bin’s classics recognized by Dou Tang(斗堂) in Fu-Zhou, discuss their tone of thought and Self-Cultivation(工夫論). Through this article, we can know the two Lu Dong-bin’s classics follow the practice method of "Practice in the heart" since Song Dynasty.