由小說與隨筆合成性的觀點,來釐清村上春樹短編作品之文章結構

A Text Structure of a Short Story Work in Haruki Murakami: From the Viewpoint of Multi-Genre Characteristics with Novel and Essay

本論文所探索的，事目前極少被當作考察標的之文宇文本中之創作形式合成。並將研究對象設定為對於創作形式特別敏銳且持續摸索的作家村上春樹，取材其「短編集」1的作品，考察其文章結構之特考察結果顯示:收錄村上春樹初期之短編作品「短編集」1中的作品之文章結構，並非典型之小說結構。作品中盡是使用了沒有直接相互關聯的話題連接、並列。並藉此讓各小節中潛在的共通點浮現出檯面方式之文章結構手法而如此的作品的創作手法，日本近代作家志賀直哉以及現代作家向田邦子也曾下意識地使用於隨筆之上。村上春樹寫作「短編集」I作品時，曾經表示自己習慣由短編小說而至中編小說，再進入長篇小說等週期的方式，來創作作品。隨著時間的經過第一人稱視點描寫的作品，稱為「視點同化」型的寫實小說。在最近一次2010年接受採訪時透露說:自己目前正摸索著與此作品不同形式的創作。透過本次的研究考察得知:「短編集」1之文章結構，是村上春樹於後期作品中想描繪與「歷史」之間的關條，而創作形式合成性的文章結構。此為本論文的一大斬獲。

Up to the present time, the problem of multi-genres in the written text is rarely taken up on a main theme. This article has taken up works of Haruki Murakami as the writer who is conscious for a genre to consider and has understood a characteristic of the text structure in his ”short stories ”1st.As a result, the text structure of ”short stories ”1st which collected his earlier short story works of Haruki Murakami is not a constitution of typical novels. His short stories enumerate some unrelated pieces in a work as topics. They use a text structure to appear a commonality to be underlying in each piece. Such a constitution is the text structure that Naoya Shiga of the modern writer and Kuniko Mukoda as the today's writer have used in an essay work consciously.When he wrote ”short stories”1st, Haruki Murakami has states that he had a preparations cycle to a full-length novel from a short story. He calls a work drawn in a viewpoint of the first person according to the lapse of time the realism novel of the ”eyes assimilation” model. And he speaks that he has been groping for a different type style from this in a recent interview. From this consideration, this article is able to suppose that the text structure of ”short stories”1st is the one that it is like a multi-genre groped for concerning ”the history” that Haruki Murakami is going to write in his work group of the latter period.