葉石濤的 「春怨」－其虛構的架構

“Shun-En”by Ye Shi-tao; The structure of fiction

葉石濤的「春怨」（1943）可以說是日據時代的代表性台灣文學之一。到目前為止，「春怨」一直都被認為是表示對西川滿的崇拜之自傳性濃厚的作品。當時葉石濤在西川滿的下面工作是一個事實，而且「春怨」的副題為「獻給吾師」作品中出現一名叫〈西村〉的詩人，的確讓讀者很自然地聯想西川滿。但本人不認為其自傳性及崇拜西川滿的程度沒有再探討的餘地。本論文的目的在於再探討當時葉石濤的處境及他與西川滿之間的關係，並且透過比較「春怨」與西川滿的「雲林記」（1941），對於「春怨」的虛構程度加以分析，弄清其虛構的架構。

Ye Shi-Tao ”Shun-En” is one of the famous Taiwanese literature during the Japanese colonial period.Up to now, ”Shun-En” is regarded as an autobiography which express Ye Shi-Tao's admiration. It is a fact that Nishikawa Mitsuru was Ye Shi-Tao's boss in those days, and the subtitle of ”Shun-En” as ‘for my mentor’, a character in this work, named ‘Nishimura’, easily put ‘Nishikawa Mitsuru’ in mind of reader, but I did not think that has not leaved the door open to reexamination of the extent of autobiography and admiration for ‘Nishikawa Mitsuru’.The purpose of this paper, reexamine Ye Shi-tao's circumstances and the lirationship of them, compare ”Shun-En” and ‘Nishikawa Mitsuru’ ”Unrin-ki” (1941), analyze the extent of fiction of ”Shun-En”, throw light on the structure of fiction.