英文摘要 |
This paper studies the attributes of zero-point cyberspace using Lefebvre's concepts of 'zero-point space' and rhythm analysis discourse as its central structure. The paper further elaborates on the concept 'Thirding-as-Othering', which has evolved from the previous two concepts. Using the three theoretical elements 'Programme-RepeatAction-Gesture' as context nodes, the authors point out how the binary numeral system, body positions, and continual repetition of movement have become a spiritual gesture producing the kinetic energy of 'Thirding-as-Othering' and turning it into an anti-systematic force. Following that, the paper examines how the concept of Lefebvre's 'zero-point space', elaborated from Roland Barthes' 'zero-point writing', creates a field of cultural revolution and practice space for everyday life, and how it extends into 'Thirding-as-Othering' and then into the 'other-than' space. Afterwards, it discusseshow binary programming language, continual repetition of body movements, and the rhythm of work, have become an abstract spiritual gesture. Finally, in analyzing net artworks by re-engaging them from the perspective of 'Thirding-as-Othering', we present the energy possibilities within zero-point cyberspace. |