大稻埕異托邦－－百年城市史裡的「福科問題」與文化閒逛

Dwaduedia Heterotopias:Exploring "the Foucault Question" in the Hundred Years’ Urban History with Cultural Flâneur

延續過去作者臺灣歌謠的研究，本文著力於流行歌的主要展演空間臺北三市街的大稻埕，探討其中城市史的文化活動與理論對話意義。通過「福科問題」，以異托邦六點原則進行大稻埕城市文化史的理論與實踐研究。理論層次上，將福科與諸理論對話後提出一個新的補充原則創見：把異托邦神秘的空間能動，回歸到人的能動性，由具有辯證印象與刺點能力的閒逛者帶領進入空間探究。

To consider"Dwaduedia" as our research object as mainly performing area for Taiwanese ballad, this paper focused on the urban culture complexities in the Taipei three cities region's process becoming a"heterhotopias" via the realization of the Foucault Question. After debating with other theorists, I add one supplementary principle into the original six principles developed by Foucault.