宋春舫的旅行書寫及世界想像：以《海外劫灰記》與《蒙德卡羅》為例

The Travel Writings of Song Chunfang and His Imagination of the World: A Case Study of Parcourant le monde en flammes and Monte Carl

本文以宋春舫（1892－1938）兩本遊記為研究對象，分析宋氏迄今較少引起學者關注的旅遊書寫。第一本是宋春舫赴歐留學期間以法語撰寫的《海外劫灰記》，1917年由上海東方出版社出版。第二本是以中文撰寫的《蒙德卡羅》，1933年由上海中國旅行社出版。《蒙德卡羅》雖非《海外劫灰記》的譯本或改寫，書中所記地點、事件與主旨亦有差異，但兩本著作對東西文化權力、人情世故等議題，皆有可對照閱讀之處。比較分析這兩本以旅遊見聞為主題的作品，不但有助於理解宋春舫的學思歷程，廓清現階段宋春舫研究所遭遇的史料盲點，更可進一步通過雙語雙向的書寫差異觀察，重探宋春舫筆鋒側寫與反思的現代中國，以及民初知識分子通過異國旅行所想像的世界秩序與未來。

This essay aims to examine Song Chunfang's two travelogues seldom noticed by researchers in modern Chinese literature. Parcourant le monde en flames was written in French during Song''s study in Europe and published later in 1917 by Eastern Publishing House, Shanghai. Monde Kaluo (literally ''Monte Carlo''), was written in Chinese and published in 1933 by the China Travel Service, Shanghai. The latter was neither translated from the former, nor a collection of rewritings based on the former. The places, events and themes mentioned in these two publications are different, but the author''s concerns are quite similar in terms of cultural politics and social issues. Through the approach of crossreading, researchers will have a clearer understanding of Song''s ideas conveyed in these two travelogues. Moreover, the bilingual writings allow researchers to reshape the modern China represented and questioned by Song, first professor in comparative literature of the Republican era. The two publications of Song not only demonstrate his personal experiences and comparative perspective, but also reflect his contemporary Chinese intellectuals'' imagination regarding the order and the future of the world.