詩索海和島的心事──高世澤的澎湖地誌詩

Explore the minds of the sea and the island through poetry ── Gao Shize's topographical poems of Penghu

高世澤（1973－），筆名gst、一筆。澎湖人。國立中興大學法商學院社會系畢業。大學時期開始活躍於BBS網路詩壇，曾創辦首份網路文學平面化刊物《晨曦詩刊》，著有《捷運的出口是海洋》、《詩索海洋》等詩集。他的詩作與家鄉澎湖高度相關，是典型的地誌詩，而澎湖無論是自然地理環境或人文地理環境都與海洋密切相關，因此高世澤的澎湖地誌詩就充滿濃濃的海味。本論文藉由討論《捷運的出口是海洋》和《詩索海洋》兩本詩集中的海洋詩，企圖探索詩人高世澤的詩作風格，以及形成此風格的背後元素，我們可從其詩句中看出詩人的強烈地方感，藉由對空間的描述，形塑了島嶼的特徵，並藉由這些特徵，去凝聚島民對地方的認同。探析高世澤作品，不僅可感受他對澎湖深厚的情感，也可見他如何實踐對家鄉的愛。

Gao Shize (1973~), under the pseudonyms of “gst” and “one stroke”, was born in Penghu, and graduated from Department of Social Studies, National Chung Hsing University. In his college years, he became active in writing poems on the poetry columns of Bulletin Board System. Later, he founded the first print publication transformed from online literature, ''Dawning Poetry'', and published poetry collections of The MRT's Exit is the Ocean and Exploring Ocean through Poetry. His poetry is highly related to his hometown Penghu, which typically belongs to topographical poetry. Either Penghu’s natural geography or human geography is closely related to the ocean. Therefore, Gao Shize’s topographical poems of Penghu are full of vigorous flavors of the sea. Through the discussion of the oceanic poems in the two poetry collections, The MRT's Exit is the Ocean and Exploring Ocean with Poetry, the style of the poet Gao Shize and the forming elements behind this style are explored in this essay. The strong senses of locality in the poet, through the description of the space, have shaped the characteristics of the island. In addition, with the help of these characteristics, the identification of these islanders is reached. In exploring Gao Shize's works, his deep affection for Penghu can be felt, and how he fulfills his love for his hometown can be observed as well.