虛實相生，正中見奇──顏崑陽《窺夢人》的散文觀及其創作實踐

Virtual Reality and Strange in the Regularity──Yan Kunyang's Prose Viewpoint in ''The Dreamer'' and Its Creative Practice

本文欲透過對顏崑陽近年出版的《窺夢人》，在一個更全面的角度上，把顏崑陽散文創作思想體系進行一種系統性、整體性的歸納分析，以見《窺夢人》虛實相生、情理兼長的藝術思維和正中見奇的藝術創造。《窺夢人》一書共分三輯：「綿散文」、「鐵散文」、「綿裡鐵散文」，《窺夢人》正以「綿」與「鐵」軟硬兼施的雜揉、現實和虛幻並置的夢境敘事，展現了散文創作的多變性。其散文在吸取古典人文精神的同時，努力張揚後現代文化視野下的人性面貌，為讀者提供富有時代內涵的藝術創造與破格書寫，在社會現實和虛幻意識中反映當代的精神世界。以見作者對當代散文的破格思考和創作實踐。最後總結全書的創作價值，我們可見全書反映時代精神的變異，能夠抓住時代脈搏，洞察時代的需要。

This article intends to make a systematic and holistic inductive analysis of Yan Kunyang's prose creation ideology through a more comprehensive perspective on Yan Kunyang's ''The Dreamer'' published in recent years. The artistic thinking of both emotion and reason and the artistic creation in the regularity ''The Dreamer'' is divided into three series: Soft Prose, Iron Prose and Soft Iron Prose. ''The Dreamer'' combines soft and illusion to show the variability of prose creation. While absorbing the classical humanistic spirit, the essays strive to publicize the human facet in the perspective of post-modern culture, and provide readers with artistic creation and esoteric writing with rich connotations, reflecting the contemporary spiritual world in social reality and illusory consciousness.