英文摘要 |
The Biographies of Twenty-Four Arhants, compiled by Chu Hsing-tsuo and published in 1605, was known as the first Chinese fiction on Arhats. Comparing with the popularity of the Cult of Arhats at the time, ironically, this fiction seems soon went out of circulation. Previous researches have often attributed its short life to rough writing, as well as the unfamiliar count of twenty-four Arhats to the sixteen, eighteen, or five hundred in common folklore. On the other hand, scholar Hu Wan-chuan recognizes the triumphant attempt of Chu Hsing-tsuo at domesticating Indian Arhats imagery to that of Chinese Zen masters by naming them with nicknames. It is the iconography rather than letters having acted as the most important medium in the Arhat Cult. In this paper I investigate how the narration skills of the fiction create the new iconography of arhats and how the images in letter interacted with the underlying principles of temple sculptures and aristocrat paintings of Arhats. In the complicated interaction, the forgotten fiction exemplifies the connection between popular fictions and religious cults in the objectification of deities and faith, as well as the necessity for of a match between religious realization and literature through iconography. |