從蔣經國執政時期的台語愛情流行歌曲來看台灣女性的轉型

Taiwan's Female Transformation - Exploring through Taiwanese Popular Music Lyrics Analysis during Chiang Ching-Kuo period

蔣經國執政時期，隨著政治民主化、社會多元化、經濟自由化，及擁有工作、經濟自主的高學??性成為趨勢，社會文化意?逐漸反映在??歌詞等文本當中。通過台語愛情??歌詞的分析，此期?性的愛情感受從過去被動等待走向多元。許多受到大眾喜愛的台語歌曲，反映出截然於過去的新形象?性：她們或者與男性攜手平等互動、?性堅強、對消費性情愛疏?、或者譴責?會愛情變化迅速。?性?再像傳統?性總是處在一個「等待」、「委曲求全」的位置，也?再以「愛情的完整性」做為單方面的責任，而逐漸擁有獨?個體所蘊含的?性與感性特質，社會大眾也普遍接受這樣的轉變。因此，70?代及其以前的台語歌詞，描寫?性情愛的感受總是委婉含蓄居多，但是蔣經國執政時期的台語愛情??歌詞，表情達意多直接強?。

During Chiang Ching-Kuo period political democratization, social pluralism, economic liberalization, and highly educated and economic autonomic women have become the trend of the times. Socio-cultural awareness is gradually reflected in texts such as popular lyrics. They interact with men on an equal basis, are rational, strong, alienated from utilitarian love. Women are no longer in a position of ''waiting'' and ''committing to sacrifice'' like traditional women, and they no longer take the ''integrity of love'' as a unilateral responsibility, but gradually have the rational and emotional qualities inherent in independent individuals. The general public also accepts such these changes. Therefore, in the 1970s and before, the lyrics in Taiwanese language used to describe the feelings of women's love were always euphemistic and subtle. However, the popular lyrics of Taiwanese love during Chiang Ching-Kuo 's administration were expressive.