英文摘要 |
Tanigawa Gan is a poet and thinker who has a subversive impact on Japanese New Left thinking and movement. His trace can also be found in such critical art actions as Tent Theatre and Butoh, which travels from Japan to Taiwan. Looking at the context of his influence, the thoughts and actions in it can be seen as the work of destructive creation of knowledge. Tanigawa said: “If you do not subvert the reflection of the world, you will never be able to subvert the reality. Start with the image.” This proposition is his tactics. It is to subvert the existing framework, to summon the imagination of new possibilities, and wage revolutionary wars at the ideological level. In his thoughts, people are an energy field of both reactionary and revolutionary motives. In the depth of “heretical people,” there is an “Origin” as the cathode of revolution (relative to the anode as represented by vanguard party or intelligentsia). Like a doubleheaded monster, he refuse intellectual orders of the academism and reject “the mute of the masses.” The “Maker” (工作者) method that he used, attempted to undermine both former's organized language and the latter's living language, subsequently created a new language that “crystallized at the opposite direction of intellectual.” This new language started by the resonance of the “ur-poesy” which is buried under the surface of reality. In this route, we can find a thinking approach which concatenated by “sound.” It provides some useable “sources'' for how to create a work with productive intellectual thought of noise. |