英文摘要 |
The issue of multiple modernities in China has long been an important subject that has drawn the attention of scholars in the humanities. Scholars from various fields have accumulated a considerable body of research in their respective disciplines. Based upon previous studies, this article utilizes the techniques and methods of digital humanities, focusing on the keyword cluster analysis of the word family 'new/old,' to explore the development and evolution of multiple modernities in the transitional period of modern Chinese thought. Employing the techniques of digital humanities, this article draws on the huge group of vocabulary that appeared in modern China with 'new/old' as the prefix, and discovers seven themes in the 'new/old' discursive confrontations from these vocabularies that occurred over the past one hundred years. They are: new and old society, new and old government, new and old ideas, new and old morality, new and old forces, new and old systems, and new and old literature. Calculating data about the temporal dimension of the aforementioned seven themes using time series analysis, we reveal the historical significance of the 'old/new' confrontations and debates over time. Finally, we propose three observations -'the supersession of the Old,' 'the disablement of the New,' and 'the double modern' conceptual transformation' - so as to verify and revise previous qualitative research and provide new views based on digital humanities from a macro perspective. |