英文摘要 |
This paper is intended to search for a different way to read Lung Ying-tsung's works through a direct exploration of his works especially focused on the depiction of his homeland. The “Foreword” in the first section briefly states a personal experience of the author in the reading of Lung's works. “The Unification of Writing and Drawing – A Loyalist of Light Shades and Colors” in the second section mainly interprets the style of Lung's works originated from his unique writing techniques and his exterior presentation of his particular physical quality and spiritual inspiration. “The Han Village and Loquat Villa as Homeland of Beipu” in the third section makes a representation of his homeland from his works, which is the center of his entire literary world. “The Portraits of the Clan and Faces of Fellow Folks” in the fourth section deals with his “homeland sentiments” from the homeland natives depicted in his works. “The People from the Mountain— Aborigines in the Daai Community” in the fifth section observes the efforts of Lung to present a negative image of “the homeland natives” in contrast to “the other kind of homeland natives.” “The Folk Customs and Trivialities of Han Village and Loquat Villa” in the sixth section explores Lung's concerns over people, affairs and matters at his homeland and his efforts to write theses concerns into his works. The “Conclusion” in the seventh section states the author's discovery that Lung's employment of strange and strong light shades and lines in the depiction of Han Village and Loquat Villa, as a matter of fact, conceals his inner-deep homeland sentiments. |