英文摘要 |
In ancient Chinese royal court, besides the main ancestral temple (太廟), there is also sub ancestral temple (原廟), the branch ancestral temple which started since Emperor Han Hui, who adopted Shu Sun Tong's advice and implemented this practice in early West Han Dynasty. This type of temples was criticized by their deviation from the formal ritual standard for many dynasties, until it was widely adopted again in Song Dynasty, resulting in not only more complex ritual but also the bigger popularity of sub ancestral temple over the main ancestral temple. What is the real picture of sub ancestral temple in Song Dynasty and what led to its resurfacing? The findings from this study suggest that main ancestral temple and sub ancestral temple are complementary and contrasting to each other at the same time, greatly contributing to the formalizing of ancient ritual, which became distinctively different from common customs. The reason of re-adopting sub ancestral temple can be attributed to the royal worshiping of ancient imperial portrait and sculpture, Buddhist temple, Taoist temple, portrait hall (影堂), and funerary temple (功德墳寺) since Tang Dynasty. Sub ancestral temple, evolving from the Ancestral temple and not bonded by formal royal ritual, allows the influences from Buddhism and Taoism ritual. The absence of religious influence and lack of interest toward afterlife in ancestral temple ritual are markedly different from sub ancestral temple ritual. On the other hand, sub ancestral temple ritual also serves to fill the void left by the dead, by bringing peace to the living. To sum up, this article discusses the contrast of “ritual V.S. custom” between sub ancestral temple and main ancestral temple in Song Dynasty. The subtle relationship and dynamic between ritual and sentiment found in these two types of worshiping are an important topic in studying ancient Chinese ritual. |