英文摘要 |
Grandaunt Tiger is the most widespread key folktale in Taiwan and it belongs to the 333C type of AT categories. The image combination of man and animal comes from the oral tales in ancient Mainland China. However, the tiger is not protozoan in Taiwan. Why did the Grandaunt Tiger story become the literary “Monster prototype” in this island? This essay aims to investigate the collective memories of Taiwan's cultural psychological structure. This essay will use mythology theory of French anthropologist Claude Levi-Strauss. From the deep structure of this tale, I will attempt to seek for the cultural implications, and “the nature/culture” mind structure that is unceasingly flooded in the process of conciliatory conflict and coordinated confronting. (The form abridges) In the analysis, this essay aims ardently to point out the dual opposition of nature and culture is by no means absolutely distinct, but has the tendency of mutual transition. In the plot of Grandaunt Tiger's invasion, it presents the wild animal's breakthrough of beastly nature, which exemplifies the meaning of “eradicating the absolute separation of men and beasts.” But the plot of children's counter-attacks, highlights that humanity cannot lean on the cultural superiority, but instead gradually “naturalizes.” This essay will promulgate the dialectical and mobile situation of natural and cultural process in the Grandaunt Tiger story, which can provide multi-dimensional annotation for folk literature research in Taiwan. |