說自己的話：《莽原》文人群的書寫策略

Speak Their Own Thoughts: The Writing Strategy of Mangyuan Literati's Community

1920年代中後期的北京文學場域中，莽原社和未名社成員聚集，共同經營《莽原》，形成文人群體。文人群體在場域中的互動關係，影響文學創作的書寫策略。魯迅與青年作者站在同一陣線，進行文明批評，率性而言、憑心立論，以青年覺醒的姿態，建立自我認同，尋找安身立命的方法。《莽原》文人群的社會批評，忠於現世、望彼將來，傳達教育訴求並且參與政治，彰顯他們在場域中的邊緣位置，衝撞文學與政治交錯的權力網絡。此外，青年作者以小說創作刻畫人性，關懷鄉土，也受到魯迅的日本文論譯作引導，翻譯與創作互為啟發。《莽原》文人群以刊物寄寓理想，透過文明批評、社會批評、小說創作三種書寫策略，實踐文化想像與文學理念，展現了具有群體性的精神特徵與文學風格。

In the literary field of Beijing in the middle and late 1920s, the members of Mangyuan Society and Weiming Corporation gathered and to run Mangyuan jointly, constituting a literati's community. The interaction of literati community in the field affected the form and content of literary creation. Lu Xun and the young writers stand on the same front and performed civilization criticism and spoke wantonly and objectively, establishing self-identification and seeking the way of living and working in peace in the manner of youth inspiration. The social criticism by Mangyuan literati's community stuck to its times, looked into the future, delivered educational needs and participated in politics, manifesting the edge position of Mangyuan literati's community in the field and shocking the power network with literary and politics interlaced. Besides, the young writers outlined human nature and showed care for their native land through fiction creation, also guided by Lu Xun's translation of Japanese literary theories, they had translation and creation complement each other. The Mangyuan literati's community embodied its thoughts in publication and brought cultural imagination and literary ideas into practice following three writing strategies: civilization criticism, social criticism, and fiction creation, having presented the spiritual features and literary styles that could represent a group.