論黃碧雲早期作品中的魯迅身影

The Shadow of Lu Xun in Early Works of Wong Bik Wan

黃碧雲的小說和專欄文章時有魯迅之身影，她本人也直認是「魯迅迷」，兩人的文學淵源，值得探究。早於千禧年已有論者提及黃氏作品中的魯迅身影，但屹今仍未有任何專文詳細討論這一點。魯迅作品具有眾多的向度，黃碧雲契接了哪些面向？兩人各自經歷中國近代歷史不同的重要時刻，在思考左翼、歷史、寫作等議題時，黃氏如何參考或呼應魯迅作品的思考？本文以黃碧雲1993-1996年間與魯迅相關的專欄文章，以及〈一念之地獄〉（1992）、〈失城〉（1993）、〈豐盛與悲哀〉（1994）和〈江城子〉（1994）四篇小說作為討論對象，嘗試整理和分析在該時期作品中反復出現的魯迅身影，以「寫作與真理」、「希望／絕望」、「歷史與個人」等面向切入，提出黃氏如何在文學乃至精神層面上與魯迅有所契合。

Wong Bik Wan is one of the most important Hong Kong contemporary writers. She admits herself as a ＂Lu Xun's Fan＂(魯迅迷), the literary relationship between two authors is therefore worth exploring. Some scholars mentioned their relationship in 2000. However, there is no further discussion on this topic since then. How is Lu Xun received in Wong's works? Lu Xun and Wong experienced different significant moments in Chinese modern history, how does Wong echo and response to Lu Xun in terms of Left-wing, historical and writing issues? This paper aims at investigating the relationship between Lu Xun and Wong Bik Wan. The first part of this paper focuses on the newspaper columns of Wong during 1993-1996, and the second part focuses on her novels Hell in a Thought (一念之地獄, 1992), City Lost (失城, 1993), Abundant and Sorrow (豐盛與悲哀, 1994) and Jiang Cheng Zi (江城子, 1994). The paper analyzes the influence of Lu Xun in these works according to three perspectives, including ＂Writing and Reality＂, ＂Hope/Despair＂ and ＂History and Individual＂.