從《易程傳》「陰陽四卦」看「鄭衛之音」的人文思維──古代經書中對情愛之正面詮釋

A study about the Humanistic thinking of “Zheng and Wei poetry”, From the “Yin and Yang four gua''

禮記．樂記》說「鄭衛之音」是亂世之音、亡國之音；《荀子．樂論》也認為「鄭衛之音」，會使人心淫蕩。在中國的詩學史上，「鄭衛之音」一直背負著淫亂、非「雅正」的負面形象。究其因，正如朱熹所言，鄭衛之詩多言男女之情事。然而，反映男女之情的詩篇，一定也內蘊著相當程度的正思維，否則孔子在刪詩時，斷不會將鄭、衛二風留存。《毛序》中的「刺亂」、「刺失道」，便是以諷刺、指責、揭發，來提析它反向的勸訓的力量。本論文中藉由《易程傳》中所論，專言男女配合之義的〈咸〉、〈恒〉、〈漸〉、〈歸妹〉等「陰陽四卦」之內涵，來鋪陳鄭、衛二詩中的正向意義；而經由析論，「鄭衛之音」從男女相感之情，到男女相合有漸，到女從男說少之義，再到夫婦唱隨之常，實然演繹著男女相應，陰陽合和的人文思維。 In the history of Chinese poetics, “Zheng and Wei poetry” always saddled with the negative image of fornication. Discuss its reasons,The“ Zheng and Wei poetry” Recorded a lot of stories of men and women. However, There are many positive implications hidden in the men and women's stories. This paper attempts to application “Xian”, “Heng”, “Jian”, “Gui Mei” such as “Yin and Yang four gua”,To discuss the Positive meaning. After analysis the “Zheng and Wei poetry” Indeed contains：Men and women mutual induction, Men and women develop feelings, Men and women become a couple, Men and women marriage life. About the harmonious human and cultural thinking of men and women.