張冲與國民黨電影宣傳事業（1934－1936）

電影作為一門藝術，從誕生之初就被介紹到中國來，也就是說中國電影事業的發展幾乎與世界是同步的。電影的影響力可謂是全面性，從人們的食衣住行育樂，無不一與電影息息相關。同樣的，1930年代，國民政府為統治上需求，以及面對來左翼電影的挑戰，因此積極的從事電影宣傳教育。張冲，就成為中國電影承先啟後的一個重要角色。當時主掌國民黨宣傳系統的陳果夫、陳立夫兩兄弟，極力扶植張冲進入電影宣傳體系，希望運用張冲專長，來了解各國電影發展現狀，進一步促進中國電影事業，也寄望張冲特務出身的背景，以便於反共宣傳的運作，打擊與查禁那些不利於國民黨統治的影片。整體而言，張冲主持中國電影事業發展的時間不算長，但在他任期內，中國電影走出國門迎向國際，讓世人看見中國，奠定了未來中國電影事業的基礎。 As an art, the film was introduced to China at the very beginning, which means that the development of Chinese Film is synchronized with the world. The effect of the film is comprehensive, including food, clothing, accommodation, transportation, education and recreation, all contact with the film. At the same way, for the reason to rule and against the leftist film of CCP, Kuomintang government engaged in film education actively in 1930, which made Zhang Chong became an important role to inherited Chinese film. When Chen Guo Fu and Chen Li Fu were in charge of the KMT propaganda system that time, they strived to help Paul Zhang Chong into the film propaganda system , hoped to understand the current international situation of film by using his specialty, further promote Chinese film industry, and also hoped to anti-communist with his identity of spy to suppress and prohibit the films which were disadvantageous to the authorities. Over all, Paul Zhang Chong presided over the development of Chinese film not a long time, but during his tenure, Chinese film did go international, let the world see China and established the basis of Chinese film.