中文摘要 |
《文心雕龍‧正緯》的研究向來備受冷落。然而若是承認《文心雕龍》自有其組織全書的內在理路,則〈正緯〉篇應是理解全書理論基礎的重要篇章。本文首先就文本脈絡區分〈正緯〉所欲辨札的對象為三,並說明〈正緯〉的理論重心應在於緯書有助文學的闡發上;其次,將〈正緯〉篇置入《文心雕龍》樞紐論的架構觀察,認為樞紐論的篇次安排,其實隱含作者身份由「聖人」而「文士」的轉移發展,寫作緯書的「伎數之士」,即是處於這條脈絡的轉變關鍵。這一方面顯示〈正緯〉的重要性,一方面也說明《文心雕龍》是以「文士」作者作為預設讀者的寫作意義。
“WEN XIN DIAO LONG- JENG WEI”, it has been not noticed or studied by academic. However, it still has its own regard meaning. For my study, in the beginning I will focus on text analysis. I consider the key point of “WEN XIN DIAO LONG- JENG WEI” is the way to tell people how to write a literature. In second section, I will investigate the relationship of “JENG WEI” in Interpretation on Axis Theory of “Wen Xin Diao Long”. I think this relationship shows the status of author, which changes from Sage to Scholar. Through this discovery, it interprets the importance of “WEN XIN DIAO LONG- JENG WEI”. It also explains the meaning of “WEN XIN DIAO LONG”. |