3.11以後日本文學の表像–『それでも三月は、また』における「根源的な喪」の課題

Some Representations of Japanese Literature after 3.11: About the Subject of 'Origin Mourning' in the Collection of Works 'Soredemo Sangatsuwa Mada'

This paper is planned to discern the amplitude which arose in the Japanese literature by 3.11 which are called ”second postwar period”, and began research. Therefore, this paper used the collection of anthology ”Soredemo Sangatsuwa mada” (2012.2) as the text.17 works are recorded on this collection of works. In it, this paper has taken up three works; Shigematsu Kiyoshi ”Omajinai”(2011)、Ikezawa Natsuki”Utsukushii Sobono Seisyo”(2012)、Sumida Mitsuyo”Piisu”(2012) on the theme of ”a self-check” which is a concrete means to recover ”origin mourning”, and stated story structure concretely.As a result, all three works have told the message of becoming the power which recognition of not the external criticism to a serious ”nuclear power plant” problem but the warm recollections in the heart or a daily small occurrence reproduces from ”origin mourning” in the present Japanese society. It can also be said that the motion started in Japan what is produced from post 3.11.