宮崎駿の処女作『風の谷のナウシカ』における「風」の形象の一考察

以宮崎駿《風之穀那吾西卡》為標的考察日本文化中「風」之形象（Shape of 'Wind' consideration in Hayao Miyazaki's first work 'Nausicaa of the Valley of the Wind'）

深究「風」之形象，攸關日本文化之深層探索。面對此一大課題之際，本論文嘗試概觀文化流行現象「風」背景之後，取材同樣是以「風」命名的日本動畫大師宮崎駿處女作品《風之穀那吾西卡》（1984），探討其中描繪「風」之形象，繼之分門別類、整理分析，素描出其中之傳承、斷層、再生之相互關係。考察結果顯示：如同「千風之歌」慰藉了像是因911 事件（2001）重大事故造成親人突然死亡而受到打擊的全世界人們創傷。然此撫平心靈創傷「風」之效力，沒有明顯出現於《風之穀那吾西卡》中。而《風之穀那吾西卡》則在面對黑暗的生存戰爭之下，深著於大自然與日常生活間而形成生活慣習當中，孕育出幾近於宗教的「風」神之信仰。進而鋪陳與「風」共存亡的概念於其中。 Investigating the shape of 'Wind' leads to the search for theJapanese culture to the depths. In this thesis, the background of thefashion of 'Wind' that is the cultural phenomenon is considered at first.This thesis continuously took up 'Nausicaa of the Valley of the Wind'(1984) of the animated cartoon version and the cartoon version. And, themain discourse part has done focus to the shape of Hayao Miyazaki's'Wind'. And this thesis classified, and arranged the shape of 'Wind'. Inaddition, this thesis roughly has sketched the interrelation like the legend,the rupture, and the reproduction, etc.As a result of consideration, the belief to 'Wind' in nature and lifeexists against the dark of the war in Hayao Miyazaki's 'Nausicaa of theValley of the Wind'. In a word, the story of 'Wind' and man's symbiosescomposes the part of the discernment of the work as for HayaoMiyazaki's work.