李昂「鹿城故事」──〈西蓮〉的原著與創生

Li Ang’s '' Lukang Story'':The origin and recreation of “Xilian”

文學與電影（電視劇展）其個別以文字和影像的藝術表現形式有所不同，但是作家和導演同樣地都在表述他們對於人性、思潮、社會及文化等諸多層面的觀察與見地。本文以李昂「鹿城故事」的系列小說其中一篇〈西蓮〉為基底，與公視同名人生劇展「西蓮」及電影「月光下，我記得」，就人物圖誌的複製與再創、鹿城‧關西‧都蘭與「家」的異質空間表述，再透過原著文本的複製與再現以揣摩女作家與男編導其性別觀點差異等三大主軸，來深入探討李昂〈西蓮〉的原著與創生，試圖解讀深具女性意識的李昂小說文本在男性導演的凝視與詮釋下，其女性形象、女性身體、母女關係、母職論述及女性情誼等問題如何被處理。

Although there are different artistic expressions between literature and movies (drama show), the writers and directors are similarly express their humanity for observation, thought, and other social and cultural aspects and insight in their works. In this paper, the story of ''Xilian'' in Li Ang series of novels ''Lukang Story'', an original literature work is set as the base model, and another two drama shows which reorganized from the original text, one is the life story exhibition show ''Xilian'' of Taiwan Public Television Service Online, and the other movie named ''The Moon Also Rises'' are compared and analyzed. The author tries to explore the original and reorganized characters model expression, the heterotopias space of ''home'' among the three stories. Besides, the different interpretations among the writer Li Ang, a profound female consciousness novelist, and the male gender directors on the image of women, the female body, mother-daughter relationships, motherhood, female friendship as well as other issues in these works are discussed.