郁達夫遊記散文的思想意識

Consciousness of Thought in Yu Da-Fu's Travel Essays

郁達夫，作為一個現代遊記散文開創者，他以愛國情愫做骨子，以欣賞藝術和人生的心情去關照大自然，以「回到天真」的審美觀來審視自然、以「物我相化」來親近大自然，進而投向大自然的懷抱。郁達夫的遊記散文不僅是一卷山河秀麗的風景畫，又是一幅憂國憂民的時代風雲圖，同時也是自己的生命史、心靈史。郁達夫擁有驚人的坦然，整個思想意識坦露在作品中。郁達夫是五四時期浪漫主義的代表，浪漫主義偏重於直抒胸臆，直敘情懷，其記錄的旅途景致篇篇做到景美情真，其中卻還擁有強烈的思想意識，處處可見憤世嫉俗的入世精神，但在理想與現實衝突下，郁達夫興起不如歸去的遁世念頭來化解這矛盾的困境。

Yu, Da-Fu is considered the predecessor of modern Chinese travel essays. Yu's patriotism serves as the keynote of his work. His writing reveals that he absorbs nature with an attitude of enjoying art work as well as life; he examines nature with the aesthetic ideal of ”searching for the original beauty”; he becomes intimate with nature by identifying himself with it. Yu's work depicts beautiful landscapes and yet also concerns his country and his people, which are a link to his life and a reflection of his mind. Yu is extremely candid and shows all of his thinking in his work. He is a representative figure among the Romantic activists of the May Fourth Movement. Romanticism values one's spontaneous feelings. Each of Yu's works faithfully describes his observations and feelings for the beauty of the scenes along his voyages. Furthermore, Yu's travel essays convey a strong awareness of his thinking. We can infer his antiestablishment ideas and opposition to the mundane world. However, Yu comes to appreciate that there is a gap between the ideal and reality. To solve this conflict, he arrives at the transcendental notion that ”it would be better just to go home?”.