英文摘要 |
Since the promotion of new knowledge and the abolishment of the eight-legged essay exam in Late Qing dynasty, the eight-legged essay was viewd as the chief culprit of the ignorant intellectuals and the weak country, therefore, a person with breadth of vision abandoned the type of writing without a second thought. Nowadays, people inherited of the negative commentaries on eight-legged essay, have little understanding but think it as vacuous and shallow. However, we can’t turn a blind eye to this kind of writing form, which has the strong connection to the society and the culture during the 500-year period, when studying Ming-Qing literature. This thesis initiates the form arrangement in the purpose of reducing the reading difficulties in present days. On contrast with emphasizing on the “literary form” of eight-legged essay, the form arrangement aims to highlight the concrete structure and to show forth its essence of an examination paper. By nestling up to the essence and broading the distance with the literature, we can avoid criticizing it in a light of literature but face it anew and excavate its distinguishing features. The insperation was sparked out when the author was studying the Four Books essays of Gui You-guang, for this reason, these essays in the thesis all belong to Gui You-guang. This paper is diveded into six parts: (1) The origin (2) The involvement of critical classics- an inevitatable part (3) Opening, Amplification and Preliminary exposition are one section separately (4) The one of the four argument sections (5) The conclusion section (6) Conclusion. |