民主化的情慾認知與實踐：從男性形象論五四女性文學中的兩性關係

Democratic Recognition and Practice on Sexuality: A Study on Gender Relationship in May Fourth Women Writings in accordance with the Male Images

五四女性文學是因應五四新文化運動而出現的一批女作家之作品，這些女作家和作品迄今仍是學者探討中國女性文學與性別課題相關的重要文本。然而，大部份評論普遍集中討論女性人物所呈現的女性情慾課題，而作品中的男性人物之情慾探討則仍有待發掘。雖然近年來開始有學者注意到這方面的研究，但這些評論偏向部分特定的個別女作家或作品批評，所展現的只是個別現象，無法涵蓋宏觀上的五四女性文學作品中之男性情慾書寫。本文嘗試挖掘有關五四女性文學文本中的男性情慾書寫，以男性人物為研究中心，對文本中的兩性關係進行概念化的整合，以凝聚這些男性所體現的情慾內容和意義。

May Fourth women writings play an important role in the area of criticism of Chinese women literature, especially for the part of gender studies. Yet, most of the criticisms are primarily focused on female characters and female sexuality subject, while the male characters’ similar subject is undermined. Though there are some improvement happened since few years ago, these criticisms are basically aimed on some specific women writers and works, and considered too weak to make a macroscopic conclusion. In view of this, the author of this paper intends to focus and analyze the sexuality of male characters in May Fourth women writings. The objective of this paper is to conceptualize the significant meaning of gender relationship in May Fourth women writings.