玄、佛交涉的詩化──論東晉佛理詩風的形成及其風格型態

On the Eastern Jin Dynasty Buddha principle poem formation and its style type

本文旨在探討東晉詩壇佛理詩風的形成原因及其所呈現的內容風貌，試圖循「外在研究」的方法論意識，從「玄、佛交涉」的文化現象來推究佛理詩興起的特殊機緣，並歸結出「名士與名僧交遊」、「清談共辯於佛理」「佛學以玄理格義」等時代背景；其次則取效「內在研究」的方法論意識，將東晉佛理詩的作者與作品透過三種表現樣態：「循軌格義，玄佛雙運」「佛以境顯，理深情奇」、「詠佛成韻，詩止於理」來加以闡釋。文中，同時釐清了一段東晉詩歌發展的文學史判讀問題，並棺結上述成果，將之置回詩歌發展的歷史脈絡中，用以說明「玄、佛交涉」的時代風尚與「援佛入詩」的文學表現之間的因果與互動關係，並以之釐定當時的佛理詩在中國詩史上的意義、定位及其對後世詩歌的影響。

This article is mainly discussing the Eastern Jin Dynasty Buddha principle poetry the formation reason and the style type. Attempts rests on 'the external research' method viewpoint, discusses the Buddha principle poem prosperous reason from the cultural phenomenon. Next, acts according to 'the intrinsic research' the method viewpoint, comes the Eastern Jin Dynasty Buddha principle poem's style state by three types to analyze. Explains between the time prevailing custom and the literary work interactive relations by this, as well as Buddha principle poem then in Chinese poetry of historical significance significance, value and to later generation poetry influence.