英文摘要 |
Heidegger's 'Origin of Artwork' deals with the deepest experience of human being; and that is the experience of the truth of art. There are three aspects in his analysis: 1. What is the 'thing'? 2. The relationship between the artwork and the 'existential experience' 3. The question about the origin of artwork is a question about the truth of Being. Every artwork hat its own material; in the traditional understanding its material would be regarded as the material of 'form'. Heidegger try to provide a new interpretation — the material of artwork is its 'thingness', therefore the 'thingness' is a new beginning for us to understand the art artwork; on the other hand, our understanding is also a concrete experience of Being. The experience of Being is the concrete experience of our living, hence in the analysis of Being the artwork can lead us to understand, what the meaning of our own Being is. When we observe the artwork, which we appreciate, we can feel the pleasure in us. And that is a question, how we can find a interpretation of this kind of inner pleasure. And what makes it different to the traditional one. Finally, why should our interpretation guide us to a fundamental question of philosophy—the question about the truth of Being? As matter of fact the artist is the creator of artwork, but Heidegger thinks, the artist and artwork have a common origin, and this origin is the truth of Being; the truth is the experience of light. According to Heidegger the Greek temple is the place, on which the truth of Being reveals. What is the relationship between the temple and the truth of Being? That should be a main question of our interpretation. |