英文摘要 |
The experience of religion is a mystical understanding which come across race, culture and belief. In the western, people approach the Godness directly by themselve; however, in the eastern, people reach to the level of becoming a part of nature through the mysticism. In here, the meaning of landscape is not only one kind of esthetic object, but also mean a carrier of history and the intermedia of religion experience. The trinity relationship enrich the diversity of ”Landscape”.During the 20th centery, this tendency in Taiwan was combined with perceptual modernism from the weasten. Modern poets not only face the impact of culture but also have to deal with issues of existence of self-consciousness. Therefore, individuals becoming contradictions from multi-cultural. As for the scholar-poet, it seems to be the term of contradiction: scholar usually tend to be more rational; specialize in tradition research system and find pleasure in it; however neither of the tends are included in poets.In the following discussion, this article attempts to explain the concepts of mystical both from western and eastern by misticalism while intend to classify those experience which are beyond the religion feeling or mistical into the misticalism. How to face the world with renewed vitality after scholar poets expel the nature due to survive in the modern culture? How to express inside conflictions and offering introspection to the nation, belief, and emotion by those feeling show from poems. Other then the poets themselve' life experience, historical background and experience from religion, what make those poets can deal with these two contradictory identities and combine their consciousness with the motion within the nature all together? All of the above are the issues which will need to be answered. |